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Spice Up Your Rock Progression This example is based around E Aeolian and E Harmonic minor and shows how to make a simple chord progression sound more melodic and interesting using chord extensions,sus chords,open voicings, close and open voiced triad arpeggios, double stops. Notice the string skipping in the pickup notes G Some of the prettiest blues ever….. You can also make a point to incorporate that into the exercises you do with the 3 to 9 arpeggio concept. Try using this example to make up your own lines. You must be logged in to post a comment. Unlike some modern-day guitar heroes who seem obsessed with movable scale forms, Clapton has never been afraid to incorporate open strings in his lead lines.
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141 Jazz Guitar Licks – Essential Lines and Patterns

Bar 5 incorporates a Bmin7 tapping sequence arpeggio and a sweep picked E major inversions triad arpeggio. I'm going to go check out those sites now: Michael Jackson - Black or white. Every lick after that is a variation of this initial lick. Fixed playback alignment of red line on tons of licks. Your email address will not be published. I play this line combining alternate picking, legato and I also use hybrid picking in Bar 2, but feel free to experiment different approaches and see what works for you.
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Tabs | Power-Twang Country Guitar Lessons

From there, the last part of the line contains two notes outside of that scale, the 7 th and 4 th of Fmaj7. In this phrase, the Fmaj7 is anticipated a bit as the Fmaj7 chromatic lick begins over C7, then resolves over Fmaj7. Click to hear Wes Montgomery Licks 5. While sometimes informative and entertaining, passive, non-interactive videos are an extremely inefficient way to learn this type of material; the only way to control what you learn and at what speed is by pausing and rewinding countless times until it sinks in. I also like Blues Power and Further On Up the Road because they are graet examples of call and response tunes and a nice change from slow blues numbers which I love. At a time when modern jazz was where the scene was headed, Whitfield built a career by playing bluesy, bebop based tunes, with a command of the instrument that few of his peers possessed. Good luck for the next!
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This line uses the blues note, b3, leading into the 3 rd and then the root of the underlying key of C major. PDF 89kb Powertab 4kb. Best Guitar Riffs and licks ever, as defined by our community. As well, Eb9 is the tritone sub of A7, so there is a tritone sub used there that leads A7 to D9 in the lick. There is no indication of the underlying chord the luck is played over, so good to train fingers, but not to train the mind - equally important in my book. Click to hear Wes Montgomery Licks 1. They are all a little different and you can learn a lot from each version.
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